N Apartment is a plan for a five-story, 25-unit apartment complex designed in Miyakojima City, Okinawa Prefecture. Each unit is a one-bedroom and consists of a general-purpose plan. The common space consists of an elevator, a staircase and a shared hallway, these are required by laws and regulations.
When making this plan, we mainly examined how to connect and create a sequence with the surrounding environment by using the shared hallway and the staircase. The building is divided into two parts due to the irregular shape of the site, with a courtyard between the two buildings, and the shared hallway and staircase are placed around the courtyard. The staircase has a very gentle slope with a kick height of 140mm and a tread of 520mm, and as one climbs the staircase, one’s line of sight slowly moves from the dimly lit courtyard to the outside.
The staircase, which is required by law, is not relegated to the end of the building, but rather is designed as a large spiral staircase in the center. The large staircase in a simple overall composition, will create a gentle rhythmic connection to the surrounding environment.
Project Info
Architects: Yohei Kawashima Architects
Area: 936 m²
Year: 2021
Country: Miyakojima, Japan
Photographs: TOREAL
Architectural design: Yohei Kawashima, Satoshi Kasai
Construction: Co’z KOUBOU OKINAWA
Structural Engineer: Hiroki Fukazawa





































Sophie Tremblay is a Montreal-based architectural editor and designer with a focus on sustainable urban development. A McGill University architecture graduate, she began her career in adaptive reuse, blending modern design with historical structures. As a Project Editor at Arch2O, she curates stories that connect traditional practice with forward-thinking design. Her writing highlights architecture's role in community engagement and social impact. Sophie has contributed to Canadian Architect and continues to collaborate with local studios on community-driven projects throughout Quebec, maintaining a hands-on approach that informs both her design sensibility and editorial perspective.
