Retroscena Apartment | La Macchina Studio

Retroscena Apartment transforms a 1950s apartment into a surreal set where reality and fiction coexist in a quasi-theatrical scene. Thanks to the multidisciplinary approach of its two founders, the studio celebrates the graphic sign, in a project that fuses architecture, theatre, music, and illustration.

© Paolo Fusco

In alignment with the wishes of the clients – a young couple – the architects have, on the one hand with the help of local craftsmen, recovered the pre-existing Venetian terrazzo flooring, while on the other they have completely disrupted the internal distribution to give way to new storytelling.

© Paolo Fusco

Kicking off with the insertion of new materials in correspondence with the traces of the original divisions, the living area is defined by a clear band in black and Botticino marble. The area along the corridor takes up the original design of the flooring with a pinkish binder with pozzolan powder, while the bedroom is tinged with the warm nuances of brick red micro cement. The result is a combination of designs in different grains and colours that creates a “collage” effect, in contrast with the absolute white of the plastered walls.

© Paolo Fusco

The apartment reveals itself longitudinally along the main wall, which represents the limit between private and representative space and creates a landscape punctuated by three different elements.

© Paolo Fusco

A white lacquered bridge wardrobe hides a small study: the reader’s refuge, an intimate, silent space, isolated from the rest of the home. A grey-blue flush-to-the-wall door that seems drawn on, gives access to the salle de bain covered in white mosaic with contrasting joints, cut by an ogival passage which gives a glimpse the back wall in peacock-colored enamel and the free washbasin standing. Finally, an arched door in classic blue lacquered wood leads to the sleeping area with clear lines and a welcoming atmosphere. The door, with its wooden profile that juts out 70cm towards the dining room, is the centerpiece of the living area and hides the kitchen furniture from view.

© Paolo Fusco

The living room is the largest space in the house: a yellow curtain runs along with the demolished partition, outlining the areas and drawing a soft border between the different functions.

© Paolo Fusco

Retroscena offers a playful and fantastic vision of the house. Bold color choices and savvy design tricks give personality to the interiors, turning the spotlight on the inhabitants, protagonists of a theatrical – and architectural – piéce full of surprises.

Courtesy of La Macchina Studio

Courtesy of La Macchina Studio

Project Info

Architects: La Macchina Studio
Area: 75 m²
Year: 2020
Country: Roma, Italy
Photographs: Paolo Fusco
Manufacturers: Louis Poulsen
Design Team: Gianni Puri, Enrica Siracusa

Sophie Tremblay
Show full profile Sophie Tremblay

Sophie Tremblay is a Montreal-based architectural editor and designer with a focus on sustainable urban development. A McGill University architecture graduate, she began her career in adaptive reuse, blending modern design with historical structures. As a Project Editor at Arch2O, she curates stories that connect traditional practice with forward-thinking design. Her writing highlights architecture's role in community engagement and social impact. Sophie has contributed to Canadian Architect and continues to collaborate with local studios on community-driven projects throughout Quebec, maintaining a hands-on approach that informs both her design sensibility and editorial perspective.

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