Soumaya Museum | FR-EE Fernando Romero Enterprise

Soumaya Museum by FR-EE Fernando Romero Enterprise – A Museum of Eclecict Art. In a previous entry about Mexico City we looked at how Ensemble studio approached traditional Latin American heritage. While designing their Cervantes Theatre, they sought to achieve a wow effect on the principle of contrast and also by looking at the exterior-interior relationships like an inverted ancient pyramid.

03 Museo Soumaya FREE Fernando Romero photo Rafael Gamo

© Rafael Gamo

Now let us broaden our scope of vision and have a closer look at Mexico City’s cityscape. Another part of it is the newly built Museo Soumaya that houses a carefully selected eclectic collection of artworks from the period between 15th and 20th century. It is its architectural form, texture and conceptualisation that create a distinctive identity for the city’s predominant1940’s industrial area. And similarly to Ensemble studio’s ‘Dovela’ (‘Keystone’) structure, here Fernando Romero has managed to apply the simplest rule of contrast – distinctiveness, in providing Mexico City with yet another iconic landmark.

07 Museo Soumaya FREE Fernando Romero photo Adam Weisman

© Adam Weisman

The Museo Soumaya and its exhibition function now becomes a natural catalyst for new cultural development opportunities since it is positioned in the heart of a real estate area. Its distinctiveness is expressed through the making of an exterior skin comprised of 16, 000 mirrored steel hexagon pieces. In further detail, the expressiveness is enhanced through the sculptural shaping of the building’s volume with a total of 28 curved columns.

03 Soumaya Image by Adam Weisman 08

© Adam Weisman

From an interior aspect, a system of 7 rings stabilizes the structure making cantilevering on each level possible. The space is hence articulated through a continuous promenade circulating in a helical tract that follows the path of the 7 cantilevered rings. This spatial effect is meant to visually guide visitors to the top floor – a level of sculpture exhibits and natural light.

06 Soumaya Image by Adam Weisman 21

© Adam Weisman

The Museo Soumaya displays a vast collection of artefacts of great importance including the largest private collection of Auguste Rodin’s sculptures and also works by Van Gogh, Matisse, Monet and Salvador Dalí.

05 Soumaya Image by Adam Weisman 22

© Adam Weisman

Being the new home of some of the most notable Impressionists and Surrealists, the Museo Soumaya is a visual example of how architecture develops into a new phase where gravity is defied, walls are curved, levels are cantilevered, circulation is therefore more free; and last but not least – letting natural light in the space is becoming a key essential for the best of presentation of art on display.

Project info:
Architects: FR-EE / Fernando Romero Enterprise
Country: Mexico, Mexico City
Area: 17000 m²
Year: 2011
Photographs: Rafael Gamo , Adam Weisman, Raul Soria
Manufacturers: Danpal, USG, Agr, Alta, Aluvisa, ArqT, Bostik, CYVSA, Dimeyco, Fine Floors, Hankö, Industrias Ideal, Kone, Lighteam, Panel Rey, Soprema, Swecomex, Tecnomuro, Ypasa
Contractor: Carso Infraestructura y Construcción
Structural Engineer: Engineer HVAC Colinas de Buen
Interior Architect: FR-EE + MYT
Architect In Charge: Fernando Romero, Mauricio Ceballos
Design Team: Matthew Fineout, Ignacio Méndez, Sergio Rebelo, Omar Gerala Félix, Laura Domínguez, Herminio González, Ana Medina, Ana Paula Herrera, Mario Mora, Juan Pedro López, Guillermo Mena, Libia Castilla, Raúl García, Manuel Díaz, Alan Aurioles, Ana Gabriela Alcocer, Luis Ricardo García, Iván Ortiz, Tiago Pinto, Juan Andres López, Olga Gómez, Hugo Fernández, Kosuke Osawa, Francisco Javier de la Vega, David Hernández, Jorge Hernández, Joaquín Collado, Mariana Tafoya, Eduardo Benítez, Pedro Lechuga, Thorsten Englert, Luis Fuentes, Luis Flores, Rodolfo Rueda, Víctor Chávez, Max Betancourt, Wonne Ickxs, Dolores Robles-Martínez, Sappho Van Laer, Ophelie Chassin, Elena Haller, Abril Tobar, Diego Eumir Jasso, Albert Beele, Homero Yánez, Cynthia Meléndez, Hugo Vela, Susana Hernández, Gerardo Galicia, Alberto Duran, Camilo Mendoza, Dafne Zvi Zaldívar, Cecilia Jiménez, Ángel Ortiz, Raúl Antonio Hernández, Alma Delfina Rosas, Wendy Guillen, Raúl Flores, Daniel Alejandro Farías, Jesús Monroy, Saúl Miguel Kelly, Iván Javier Avilés, Cesar Pérez
Date Design: 2005
Start Construction: 2008
End Construction: 2011

Anastasia Andreieva
Anastasia Andreieva

Anastasia Andreieva is an accomplished Architectural Projects Editor at Arch2O, bringing a unique blend of linguistic expertise and design enthusiasm to the team. Born and raised in Ukraine, she holds a Master’s degree in Languages from Taras Shevchenko National University of Kyiv. Her deep passion for architecture and visual storytelling led her to transition from translation and editorial roles into the world of design media. With a keen eye for conceptual clarity and narrative structure, Anastasia curates and presents global architectural projects with precision and flair. She is particularly drawn to parametric and digital design, cultural context, and emerging voices in architecture. When I’m not analyzing the latest architectural trends, you’ll probably find me searching for hidden gems in cityscapes or appreciating the beauty of well-crafted spaces. After all, great design—like great connections—can be found in the most unexpected places. Speaking of connections, because architecture isn’t the only thing that brings people together.

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