The Beauty of Our Contemporary Architecture Revealed Through These Colorful Facades

Colorful architecture uses colour as part of the building itself, usually through the facade material rather than paint alone: glazed ceramic and terracotta, coloured glass, coated metal and painted timber. Done well, colour can mark a building’s parts, signal its use, respond to its neighbourhood and change with light and viewpoint. This guide, for students and designers, shows ten contemporary buildings with colourful facades, explains how each achieves its colour, and compares the main facade materials for colour in a table.

Most of the contemporary architecture around us is white, grey, beige or brown: the colours of render, concrete, steel, timber, brick and stone. So a red wall, a pink glass panel or a green metal sheet makes us look twice. You can introduce colour to a facade through materials other than paint, and colour can transform a whole place, as in this colourful transformation of an Indonesian village.

What are the characteristics of contemporary architecture?

  • Raw or honest materials used with restraint.
  • Clean geometric lines and forms.
  • Plenty of natural light.
  • Openness, inside and towards the outside.

Colorful architecture does not contradict these traits: in the examples below it is built into the material and the geometry rather than applied as decoration.

List of colourful facades from contemporary architecture worldwide

1. Kuggen, Gothenburg, Sweden

contemporary architecture

© Tord-Rikard Soderstrom

Kuggen, on Chalmers University of Technology’s Lindholmen campus, was designed by Wingårdh Arkitektkontor and completed in 2011. The round building is clad in glazed terracotta panels in six shades of red and two of green, and each floor projects slightly beyond the one below, more on the south side, so that the building shades itself, as summarised by Baunetz Wissen.

2. Monthey kindergarten, Switzerland

SAM Monthey Kindergarten – Monthey, Switzerland

© Hannes Heinz

This kindergarten by Bonnard Woeffray Architectes is wrapped in vertical timber slats of equal width, painted in a candy-coloured palette that appeals to children and adults alike.

3. Sugamo Shinkin Bank, Nakaaoki branch, Saitama, Japan

Sugamo Shinkin Bank Nakaaoki branch – Saitama, Japan

photography by © Daisuke Shima / Nacasa & Partners

Emmanuelle Moureaux created a playful facade of white boxes projecting at different depths, many doubling as planters, with their sides painted in different colours, so that the colour appears and disappears as you move past.

4. Museum Brandhorst, Munich, Germany

Brandhorst Museum – Munich , Germany

© Sauerbruch Hutton

Designed by Sauerbruch Hutton and opened in 2009, the museum is clad in some 36,000 glazed ceramic rods in 23 colours, arranged vertically in front of a horizontally striped, folded metal skin, as Dezeen reported. The colours are grouped into families that distinguish the building’s volumes; seen obliquely the rods merge into a solid plane, and from a distance they blend into a neutral tone.

Vertical multicoloured ceramic rods in front of the striped metal skin of Museum Brandhorst, a celebrated example of colorful architecture

Museum Brandhorst, Munich (Sauerbruch Hutton, 2009): glazed ceramic rods in many colours stand in front of a striped metal skin. Photo: Bengt Oberger, CC BY-SA 3.0, via Wikimedia Commons. Boberger. Photo: Bengt Oberger, source, CC BY-SA 3.0

5. Spectrum Apartments, Box Hill, Australia

Spectrum Apartments – Box Hill, Australia

© Peter Clarke

Kavellaris Urban Design (KUD) designed this apartment building with balconies stacked at shifting angles, their inner faces painted in bright colours that show from the street.

6. Sports and Leisure Centre, Saint-Cloud, France

Sports and Leisure Center – Saint-Cloud, France

© Stephan Lucas

The centre’s cubic volumes are faced with multicoloured glass in graded shades. KOZ Architectes made the building colourful inside and out to suit the young people who use it most; at night the glass glows like a lantern.

7. International Management Institute, Kolkata, India

IMI International Management Institute – Kolkata, India

Courtesy of Abin Design Studio

Multicoloured glass panels cover the curving facade of this institute by Abin Design Studio in a non-repeating pattern that, according to the architects, was inspired by the sky, with colours chosen to express the energy of its young users.

8. Seguin housing, Boulogne-Billancourt, France

Seguin - Boulogne-Billancourt, France

Courtesy of Agence Bernard Bühler

Agence Bernard Bühler gave this housing project a dark grey facade punctuated by deep red window frames and boxes, a strong contrast that shows how a single accent colour can carry a facade.

9. Palais des congrès de Montréal, Montreal, Canada

Palais des congrès de Montréal – Montreal , Canada

Courtesy of Wikipedia

The convention centre’s 2002 expansion, by a consortium of Tétreault Parent Languedoc, Saia Barbarese Topouzanov and Ædifica, includes a curtain wall of transparent coloured glass panels in pink, chartreuse, blue and yellow, designed by Hal Ingberg, according to the Canadian Centre for Architecture. By day the glass throws coloured light across the interior.

10. The Paradise of Colour, Beijing, China

The Paradise of Color – Beijing, China

© Courtesy of Atelier Alter

Vibrant colours enliven this kindergarten in Beijing by Atelier Alter, inspired by children’s building blocks: large coloured blocks seem to pop out of the facade to catch the attention of the neighbourhood’s children.

How colourful facades are made: materials compared

The ten buildings use five main ways to make colorful architecture. Each behaves differently in sun, weather and time, so the choice of material decides how long the colour lasts. For a wider comparison, see our guide to choosing facade materials, and why a terracotta facade suits contemporary buildings.

Ways to make a facade colourful (qualitative comparison)
Material How colour is made Colour durability Example in this article Watch out for
Glazed terracotta / ceramic Fired-on glaze Very good; glaze resists UV Kuggen; Museum Brandhorst Breakage of individual pieces; fixing system
Coloured or laminated glass Tinted glass or coloured interlayer Very good Saint-Cloud centre; IMI Kolkata; Palais des congrès Solar gain and glare; colour casts inside
Coated metal (aluminium, steel) Powder coating or coil coating Good; depends on coating system – Fading of strong colours in high UV; scratches
Painted timber Paint or stain Needs repainting periodically Monthey kindergarten Maintenance cycle; moisture
Paint on render or concrete Exterior paint Moderate; repaint over time Spectrum Apartments; Sugamo Shinkin Bank; Paradise of Colour Fading, weathering streaks

Source: Arch2O qualitative summary from the projects cited; consult manufacturers' data for performance values (as of 24 October 2026).

A typical assembly for rods or panels is a rainscreen: the coloured outer layer is fixed on rails in front of a ventilated cavity, insulation and the structural wall, so it sheds rain and can be replaced piece by piece. The diagram below shows such a section.

Horizontal section through a rainscreen wall: coloured panels, rails, ventilated cavity, insulation and structural wall

Typical ventilated rainscreen section: the coloured outer layer (rods or panels) hangs on rails in front of a ventilated cavity, insulation and the structural wall, so it sheds most rain and each piece can be replaced on its own. Diagram: Arch2O

Colorful architecture also has to work with context and climate: strong colours fade fastest in intense sun, and planning authorities in historic areas may restrict them. Test samples on site, in daylight, before committing, and sketch the elevation in colour by hand, as this architecture student’s hand sketches show is still a powerful way to judge a facade.

Sources and further reading

Hadeer Shahin
Show full profile Hadeer Shahin

Hadeer Shahin is the Built Projects Editor at Arch2O, where she curates innovative architectural works from around the globe. With a background in architecture from Alexandria University and hands-on experience in design and digital content, she bridges the gap between technical precision and editorial vision. Hadeer’s keen eye for spatial storytelling and her passion for contemporary design trends make her a vital contributor to Arch2O’s mission of highlighting excellence in the built environment.

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