Covelo House | spaceworkers

Covelo House, Urban islands are an important part of the history of the city of Porto, having been a very common type of housing in the city from the 19th century onwards. They were composed of semi-detached houses, built in the long patio of the bourgeois houses. They were small houses, usually with a door and a window facing the access corridor through which all the other houses that made up the island were distributed.

© Ivo Tavares Studio1

© Ivo Tavares Studio

Originally, urban islands were built to house the working poor and their families, who moved to the city in search of work. Over the years, urban islands have become overcrowded and unhealthy, with poor living conditions.

© Ivo Tavares Studio2

© Ivo Tavares Studio

In the 1970s, the Portuguese government started a rehousing program, with the aim of demolishing the urban islands and relocating their inhabitants in social neighbourhoods that were built on the outskirts of the city. Although many of the islands have been destroyed, many others still remain in the city as part of its memory, trying to renew itself in the perspective of contradicting the more impersonal side that often defines social neighbourhoods.

© Ivo Tavares Studio3

© Ivo Tavares Studio

It is precisely in this attempt that this project arises, an opportunity to rethink housing in these unique and historic spaces of the city. The base is one of those typical semi-detached houses on urban islands, measuring 4 meters across, 4 meters deep, with two floors, 3 windows and a door.

© Ivo Tavares Studio4

© Ivo Tavares Studio

The proposed intervention is divided over the two floors of the house, which are interconnected through a contemporary staircase that transports us from the public space – living room and kitchen – to the private space – bedroom and bathroom.

© Ivo Tavares Studio5

© Ivo Tavares Studio

The living room and kitchen are a single space, punctuated by one of the house’s windows and strongly marked by the presence of the staircase, which starts at the counter in the kitchen and ends in a black volume through which we reach the upper floor. Here is the bedroom that cohabits with a camouflaged bathroom in a mirrored volume that expands the space and reflects the light that enters through the two windows.

© Ivo Tavares Studio6

© Ivo Tavares Studio

The existing stone walls are painted white, increasing the luminosity inside, to which contemporary elements in a contrasting color are juxtaposed, giving each house a unique identity.

© Ivo Tavares Studio7

© Ivo Tavares Studio

From the outside, the intervention is denoted by the black volume that enunciates the entrance door, as well as by the contrasting color of the new shutters placed on each of the windows.

Project Info
Architects: João Ortigão, Marco Santos, Tiago Maciel
Country: Portugal
Area: 344 ft²
Year: 2022
Photographs:Ivo Tavares Studio
Principal Architects: Henrique Marques, Rui Dinis
Furniture Design: Bairro Design
Finance Director: Carla Duarte – cfo
Project: Refurbishment
Project Year: 2017 – 2022
Client: Private

(Visited 16 times, 1 visits today)
Madeline Brooks
Show full profile Madeline Brooks

Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.

Arch2O.com
Logo
Shopping cart