“Canopy” is a 3D printed lights floated in the air, designed by Alex Buckman who wanted to create a new untraditional light system without the presence of rigidity. So this product is a good result from a blending between LED technology and 3D printing, exploring the ability of this mixture to create an adaptable and portable network to provide an interactive space.
The canopy is divided by two parts, the fixture part that is described as a thin supporting structure that can be connected to any ports in the base depending on the needs and location of the user, the other part is thebulb covered by 3D printed patterns having organic forms and inspired by geometrically forms of nature.
This light system provides the use of lightweight and low-voltage electronics. The designer said: “it was important that this lighting system benefited the user both in functionality and general wellbeing to provoke the idea of how we design objects for interior spaces in the future.”





















Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.
