Biophilia Collection | Ross Lovegrove

Few days ago we posted an elegant sunshade designed for VONDOM, a company that is specialized in advanced roto-moulded technology and  ongoing research into the transference of digital process into contemporary design. Here, we present a new collection designed by Ross Lovegrove, named Biophilia. The collection explores a new design language that forms a dialogue between time, form and space combining the pioneering organic design of Sagrada Famila by Antonio Gaudi.

Designed by Ross Lovegrove- Images Courtesy of Vondom

This enrichment process places its origin at a time when discovery of nature , its wonder and the resulting diversity of forms beginning with Art Nouveaux , an enduringly beautiful and sensual movement in art that brought the organic World brought inanimate objects to life through the fluid organic minds of designers, artists , photographers and architects alike.

Designed by Ross Lovegrove- Images Courtesy of Vondom

Taken out of craft and into the 21st century progressive domain of polymerization and industry BIOPHILIA is a collection, acknowledges this lineage but pushes the boundaries between material structure and form into a new modern territory as yet unseen, parametrically conceived and diametrically opposed to modernism in its expression.

Designed by Ross Lovegrove- Images Courtesy of Vondom

Ibrahim Abdelhady
Ibrahim Abdelhady

Ibrahim Abdelhady is an architect, academic, and media entrepreneur with over two decades of experience in architecture and digital publishing. He is the Founder and CEO of Arch2O.com, a leading platform in architectural media, renowned for showcasing innovative projects, student work, and critical discourse in design. Holding dual PhDs in Architecture, Dr. Abdelhady combines academic rigor with industry insight, shaping both future architects and architectural thought. He actively teaches, conducts research, and contributes to the global architecture community through his writing, lectures, and media ventures. His work bridges the gap between practice and academia, pushing the boundaries of how architecture is communicated in the digital age.

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