Places of worship are created to be spiritually uplifting; they embrace a warm and welcoming atmosphere for contemplation and prayer. Designed by Shinslab Architecture and IISAC, “The light of Life Church” is built in Gyeonggi-do, South Korea.
Blending into the surrounding nature, the church reflects its neighbouring atmosphere through the external glass structure. Light penetrates and filters through the glass into the interior, creating an atmosphere that is in complete harmony with nature. Within the chapel, the circular interior form is created from suspended tree trunks of Siberian red cedar wood; displaying a totally different environment than the outer glass structure.
Displaying simple forms and spaces, and without the use of any form of painting or sculpture, the church creates an interior following the principles of Protestantism. With its circular arrangement of suspended tree trunks, the chapel echoes the forms of early places of worship.
The central cross of the circle displays a very thin, aluminum cross; the symbol of Christianity. Symbolizing baptism, the cross is planted in the center of a pool of water. The church is to be a daily part of people’s lives, not limited to Sunday services; it will open its doors daily for the people allowing them to pray and host religious ceremonies. Able to house more than a hundred people, the center of the church is also linked to multiple rooms, a restaurant, and a café.
By:Ala’ Abuhasan


































Tags: KoreaSouth Korea
Maiar Mansour is an editor at Arch2O with a unique lens shaped by her background in architecture, visual arts, and human-centered design. A graduate of the Faculty of Fine Arts, Maiar discovered her passion for UI/UX through civil society work, storytelling workshops, and freelance design for arts events. Her editorial approach blends emotional intelligence with a strong visual sensibility, guided by a belief in storytelling and design coherence. With training from ITI and Udacity and hands-on experience as a UI/UX designer, she brings fresh perspectives on how environments shape human behavior, emotion, and interaction in design.
