Ptuj Performance Center located in Ptuj Slovenia boasts a rich history of renovations ranging from a hospital to a museum. Its most recent restoration by ENOTA focuses on creating a program that keeps the Baroque monastery in use while also highlighting its historical value. In order to do this, the design had to keep true to the original structure and avoid all major invasive interventions; the task is made easier since the old church functions are similar to the new performance center needs.
© Miran Kambič
Circulation through the structure starts at the main entrance in the old cloister space; the area also functions as the node of all paths throughout the building. On the opposite side of the enclosed courtyard, you’ll find the main event hall is situated within the converted nave; its white walls and vaulted ceilings reflect a synthesis of the historic and present. The black concert framework creates a contrast with the blanche walls while still tying the space together with its simplistic design. The black and white motif within the hall also pays tribute to the monastery’s Dominican origins: white representing purity and black, modesty. It serves to complement instead of compete with the ongoing restorations happening on the interior walls.
© Miran Kambič
The purpose of the elevated seating serves not only to maximize views from all points but also to limit the structure from compromising the existing historical site. Three points touch the ancient grounds: two trusses holding the raised platform and a staircase for the entrance. Once entering the black staircase, you process through a series of varied experiences within one space. Because the nave was renovated throughout its entire history, there are distinct parts where one can observe the various styles of architecture within the building starting with Gothic, then Medieval, and ending in Baroque.
Project info:
Architects: Enota
Country: Slovenia, Ptuj
Area: 3527 m²
Year: 2013
Photographs: Miran Kambič
Manufacturers: Intra Lighting
Design Team: Dean Lah, Milan Tomac, Polona Ruparčič, Andrej Oblak, Maruša Zupančič, Alja Černe, Tjaž Bauer, Petra Ostanek, Nuša Završnik Šilec, Nebojša Vertovšek
Anastasia Andreieva is an accomplished Architectural Projects Editor at Arch2O, bringing a unique blend of linguistic expertise and design enthusiasm to the team. Born and raised in Ukraine, she holds a Master’s degree in Languages from Taras Shevchenko National University of Kyiv. Her deep passion for architecture and visual storytelling led her to transition from translation and editorial roles into the world of design media. With a keen eye for conceptual clarity and narrative structure, Anastasia curates and presents global architectural projects with precision and flair. She is particularly drawn to parametric and digital design, cultural context, and emerging voices in architecture. When I’m not analyzing the latest architectural trends, you’ll probably find me searching for hidden gems in cityscapes or appreciating the beauty of well-crafted spaces. After all, great design—like great connections—can be found in the most unexpected places. Speaking of connections, because architecture isn’t the only thing that brings people together.