Melbourne Place Hotel | Kennedy Nolan Architects

Melbourne Place is a new independent hotel accommodated in a “complete design”; a new building with fully integrated interiors, carried out by a single team. Our work included collaborating on the development of the hotel brand in conjunction with Client Josh Taylor, brand agency Studio Round, and Hotel Managing Director Tracy Atherton. The design of the building, the interiors, and the hotel brand have informed each other from the very beginning, such that the identity of this hotel is expressed in every part of the physical object. Sensibilities around space, volume, light, colour, texture, and detail are consistent from the urban scale down to the cabinet hardware, lending a sense of substance, a complete vision, each element reinforcing and amplifying the unique character of the place.

Melbourne Place

© Derek Swalwell

The design of the building derives from the particular architectural and cultural identity of Melbourne generally, but more specifically, the actual site in the east end of the CBD. The mass and detail have a twentieth-century quality, reinforced by the highly modelled tinted concrete and brick façade and the operable shutters to every guest room. This architectural expression aims to position Melbourne Place amongst an esteemed lineage of some significant nearby buildings – The T&G building, Cavendish House, and right next door, Hero, the old Russell St telephone exchange.

Melbourne Place

© Anson Smart

The sixteen-level building includes two basement levels, a double-height scaled ground plane engaged on it’s three outward-facing sides, a first-floor balcony projecting over Russell Street, and a three-level “top-knot” recessed form the street wall and formed in a gauzy corten brise-soleil.

Melbourne Place

© Sean Fennessy

While we focussed on making a ‘polite’ building, a seemly neighbour, we also aspired to imbuing it with a personality so that it could be a familiar friend to Melburnians, a vessel for great hospitality which would be recognisable, even memorable. A persona is embedded in the very structure, an abstract zoomorphic form with a long brick neck and a set of super-scaled eyes looking out to the north. This persona formed a conceptual basis for every design question, and as the design evolved, the original idea and the intrinsic personality of the building emerged.

Melbourne Place

© Derek Swalwell

The building is tonal, muted, and natural, made from bricks developed for the project (with Kraus bricks in Stawell) and warmly tinted pre-cast concrete, highlighted with deep red metal accents and window frames. The bricks flow into the interiors where they meet colour – sometimes intense, sometimes playful, designed to lodge in the memory. Interior colour is set against large areas of complementary natural materials – West Australian jarrah, locally sourced terrazzo in blends developed specifically for Melbourne Place, and metallic accents in brass and corten steel.

Melbourne Place

© Anson Smart

Fixtures, fittings, lights, carpets and furniture have largely been sourced from local makers and designers, many made specifically for Melbourne Place. Local artists have been commissioned, not simply to adorn, but to represent Melbourne culture – contemporary, sophisticated, urban, multi-cultural and grounded in the lands of the world’s oldest continuous living culture. The effect is visually fresh but uncannily familiar, an authentic representation of place.

Project Info

Architects: Kennedy Nolan Architects
Area: 11272 m²
Year: 2024
Country: Melbourne, Australia
Photographs: Derek Swalwell, Anson Smart, Sean Fennessy, Kristoffer Paulsen
Lead Architects: Patrick Kennedy, Rachel Nolan, Michael Macleod, Jacky Oro, Shin Kil, Elizabeth Campbell, Adriana Hanna, Jack Lawrence, Candice Chan, Danny Truong, Annie Paxton, Han Wu, Dorothea Yannoulidis

Madeline Brooks
Madeline Brooks

Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.

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