Cusanus Academy Renovation | MoDusArchitects

Cusanus Academy Renovation:

 In Bressanone (South Tyrol, Italy), MoDusArchitects adopts a subtle design strategy for the renovation of and addition to the Cusanus Academy, a center of learning dedicated to the exchange of ideas at the intersection of the religious and secular worlds.

For the purpose of better engaging the Academy with the city, the project tackles the heterogeneous ensemble of seminar venues and guest accommodations with a spectrum of interventions—mimetic to overtly new—that form a more organically connected complex that invites the community in.

Photography: Gustav Willeit

Located along the Isarco river in the eastern part of the city, the Cusanus Academy comprises three buildings Paul Norz Haus,​ ​Mühlhaus, and ​Haupthaus, or Main Building, originally designed by the locally renowned architect Othmar Barth – the first modern building listed under the protection of the historic preservation commission of the Province of Bolzan.

At the 1962 inauguration, the building triggered much debate: many considered the boldly modern building of concand concrete to be out of place, an eyesore to the adjacent 18t​ h century Major Seminary building, while others welcomed the contemporary addition within the medieval fabric of the historical city center. Today the building stands as one of Bressanone’s landmark buildings and is considered to be Othmar Barth’s masterpiece.

Photography: Gustav Willeit

The architects were called upon to design a careful and balanced renovation that could absorb a host of technical and code-related requirements without compromising the integrity of the Academy.  More specifically, the need for greater accessibility prompted the architects to rethink vertical and horizontal circulation as a network of social, more public spaces.

The project traces a fine line between that which appears to belong to the original buildings (invisible) and that which emerges as new, more clearly stated interventions (visible). The two most significant and visible design moves occur at the ground level of the ​Haupthaus whereby a newly formed axis opens up the building, and at the lower level whereby a large conference hall becomes a new fulcrum.

Photography: Gustav Willeit

A geometrical analysis of the ​Haupthaus​ reveals a plan made by three squares that open up towards the South to form an indelible trapezoidal footprint; the resulting interplay between an orthogonal order and a slight rotation governs the entire project be it in plan, elevation, and detail.

Coupled with the 2,90m pass that presides over structure and surface, aperture, and closure, down to the patterning of the floor materials that in turn mark the positioning of the seating, the building is a poignant lesson in ​multa paucis—​ saying much with few words.

Photography: Gustav Willeit

Indeed,  the careful grammatical construction of the project converges in an abstract order with the real dimensions of the exposed brick walls and pavers, and the travertine slabs into a unified whole.  Intervening in such a complete, and accomplished project proved to be a daunting task for MoDusArchitects.

Photography: Gustav Willeit

Project Info:
Architects: MoDusArchitects
Area: 10625 m²
Year: 2020
Photographs: Gustav Willeit
Lead Architects: Sandy Attia, Matteo Scagnol
Structural Engineer: 3M Engineering Srl
Mechanical Engineering: Studio Tecnico Ing. M.Carlini
Electrical Engineering: Von Lutz Studio Associato
Lighting Consultant: Von Lutz Studio Associato
Acoustics Engineer: Archacustica
General Contractor: CarronBau srl
Site Work: Beton Eisack GmbH
Project Team: Giorgio Cappellato, Miriam Pozzoli, Lavinia Antichi, Laura Spezzoni, Anna Valandro
Client: Kardinal Nikolaus Cusanus Akademie
Safety Engineer: 3M Engineering Srl
Geology Consultant: Jesacher Geologiebüro
City: Brixen
Country: Italy