Buckminster Fuller Institute Announces DYMAX REDUX Finalists
The Buckminster Fuller Institute is proud to announce the finalists of DYMAX REDUX, an open call to create a new and inspiring interpretation of Buckminster Fuller’s Dymaxion Map. Our first initiative with design crowdsourcing yielded great interest with over 300 people from 42 countries registering for the contest. The above 11 finalists were selected for their exceptional execution of our criteria:
1. Original. Is the map innovative in some fashion? Does it challenge traditional perspectives?
2. Aesthetic. Is the map beautiful? Intriguing? Inspiring?
3. Informative. Does the map convey information, worthwhile themes or sets of data to its viewer?
In the coming weeks we will announce both the winner (selected by BFI) and 3 critic pics as selected by guest critics: graphic designer Nicholas Felton, artist Mary Mattingly and Dymaxion Map cartographer and Bucky’s close friend and associate, Shoji Sadao. The winner will have their design produced as a full size poster and offered within the BFI store. All 11 finalists will be printed at full scale for an in-person exhibition this fall in New York City (details TBA).
Lastly, we are proud to have partnered with ODTmaps who has generously offered all contest entrants a free digital copy of the book How Maps Change Things. The winner will receive a print copy of the book. Read more.
Ibrahim Abdelhady is an architect, academic, and media entrepreneur with over two decades of experience in architecture and digital publishing. He is the Founder and CEO of Arch2O.com, a leading platform in architectural media, renowned for showcasing innovative projects, student work, and critical discourse in design. Holding dual PhDs in Architecture, Dr. Abdelhady combines academic rigor with industry insight, shaping both future architects and architectural thought. He actively teaches, conducts research, and contributes to the global architecture community through his writing, lectures, and media ventures. His work bridges the gap between practice and academia, pushing the boundaries of how architecture is communicated in the digital age.

