A tangled wooden table, the famous artist Michael Beitz has created another impressive art sculpture entitled ‘Not Now’. A replacement of the dining table, this art piece is a 18 ft. x 6 ft. x 8 ft. table made of wood and twisted in the center into a giant knot.
As the name suggests, the table symbolizes moments in our life when we do not want to talk to the other person on the table. It signifies the botched conversations we sometimes have. Either ways, the sculpture successfully conveys the idea of ‘Not Now’ in a bold yet artistic way.
The tangled wooden table is flat on either side where the users sit. The knot in the middle creates a visual barrier between the two users hence blocking any chances of conversation while sitting on the same table. You instead feel awed by the beautiful handwork of Beitz. The wood is also so marvelously curved that it looks flowy and easily pliable. So, the next time you get the feeling of – ‘I don’t want to talk right now’, sit to Beitz’s ‘Not now’, and praise the sculpture on either side in moments of silence.
Project info:
Architects: Michael Beitz
Country: Germany, Berlin
Year: 2014
Photographs: Courtesy of Michael Beitz







Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.
