Emerald Screen Pergola | Wutopia Lab

Emerald Screen Pergola, A wandering dragon-like Emerald Screen Pergola

© CreatAR lmages1

© CreatAR lmages

Here the frailest leaves of me yet my strongest lasting.

© CreatAR lmages2

© CreatAR lmages

Walt Whitman

© CreatAR lmages3

© CreatAR lmages

In March 2024, Wutopia Lab’s wandering dragon-like Emerald Screen Pergola was officially unveiled at Bogong Island Ecology Park in Wuxi, China.

© CreatAR lmages4

© CreatAR lmages

The Emerald Screen Pergola is an important architectural feature in classical Chinese gardens. It is typically constructed from bamboo or wood, forming roofless corridors, pavilions, and walls. Climbing plants are then grown to eventually cover the walls and roofs. This design not only creates a visual focus that integrates nature with space but also fosters a series of cultural activities related to flowers, making it a significant cultural symbol preserved in traditional Chinese paintings. However, as a temporary structure, apart from the flower trellises, most other parts have disappeared from the remains of classical gardens.

© CreatAR lmages5

© CreatAR lmages

Bogong Island originally had a 1.2-kilometer-long steel trellis covered with wisteria and roses. Over time, it fell into disrepair and became unsafe, necessitating a reconstruction. Wutopia Lab used the feather-like shape of leaves as a prototype to create various combinations of wall and roof structures along the 1.2-kilometer stretch. These structures open, close, stand-alone, overlap, and even disappear, redefining the previously monotonous design of the trellis corridor. The vibrant interplay of light evokes the image of a Dragon Dance, hence the name “A wandering dragon-like Emerald Screen Pergola”.

© CreatAR lmages6

© CreatAR lmages

The corridor’s structure uses round steel as its framework and is covered with steel meshes painted white for plants to climb. Before the plants climb up, it creates a mist-like visual amidst the beautiful scenery.

© CreatAR lmages7

© CreatAR lmages

I decided to design a flower pavilion to serve as both the entrance to the corridor and the park. Similarly, I stacked the white feather-like steel meshes layer by layer to create a central, roofless structure. This would be my semi-transparent Pantheon. Its completion will also mark the grand reopening of Bogong Island Ecology Park.

© CreatAR lmages8

© CreatAR lmages

The current phase, featuring the white transparent Emerald Screen Pergola and the flower pavilion, marks the first stage. The second stage will see plants climbing the corridor to transform it into a green structure. In the third stage, flowers will bloom, with various colors of ivy, jasmine, roses, honeysuckle, roses, and retained wisteria blossoming in succession. Thus, this vibrant wandering dragon-like structure will come to life, seemingly ready to take flight in its natural surroundings. This represents Wutopia Lab’s commitment to innovatively modernizing traditional designs using contemporary materials and forms.

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© CreatAR lmages

This is the grass that grows wherever the land is and the water is…

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© CreatAR lmages

Walt Whitman

Project Info
Architects: Wutopia Lab
Country: China, Wuxi
Area: 925 m²
Year: 2024
Photographs: CreatAR lmages
Project Architect: MU Zhilin
Design Team: FANG Xiaobin, AN Yingjie
Construction Drawing Design Team: CAI Zhongming, SHI Wei
Plant Design Team: SHAO Jie, LI Feiran, ZHANG Licheng
Ltd Chief Planner Of W’eco Design Festival: HOU Zhengguang, SUN Qun, XU Yun
W’eco Design Festival Planning Firm: Beijing Keyi Cultural & Creative Enterprise Management Co., Ltd
Client: Wuxi Cultural Tourism Development Group Co., Ltd
Construction Drawing Design: Wuxi Culture and Tourism Construction Development Co., Ltd
Lighting Consultant: Chloe ZHANG

Anastasia Andreieva
Anastasia Andreieva

Anastasia Andreieva is an accomplished Architectural Projects Editor at Arch2O, bringing a unique blend of linguistic expertise and design enthusiasm to the team. Born and raised in Ukraine, she holds a Master’s degree in Languages from Taras Shevchenko National University of Kyiv. Her deep passion for architecture and visual storytelling led her to transition from translation and editorial roles into the world of design media. With a keen eye for conceptual clarity and narrative structure, Anastasia curates and presents global architectural projects with precision and flair. She is particularly drawn to parametric and digital design, cultural context, and emerging voices in architecture. When I’m not analyzing the latest architectural trends, you’ll probably find me searching for hidden gems in cityscapes or appreciating the beauty of well-crafted spaces. After all, great design—like great connections—can be found in the most unexpected places. Speaking of connections, because architecture isn’t the only thing that brings people together.

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