Canadian National Holocaust Monument | Ron Arad and David Adjaye

The collaborated design of both Ron Arad and David Adjaye for the Canadian National Holocaust Monument, located in Ottawa, Canada is an expressive proposal that pays tribute to the survivors and victims of a tragic period in our history.

The structure strays away from using any direct symbols, utilizing only 23 undulating, narrow walls that curve in different directions and are parallel to another, spaced at least 1.2 metres apart, forming slim passage ways.

courtesy of Ron Arad and David Adjaye

It creates similar experience as if one was waking through the depth of canyon, or deep excavations of rock. The narrow spacing only allows individuals to enter the structure one by one, where the wall extend to a height of about 14 meters and instantly directs ones view point towards the sky.

The idea was to kind of create a secluded passage that is effected by the surrounding proximity and materiality of the narrow walls which allows individuals to reflect back onto the structure as they progress through the path. The large monument also cast an immense shadow which exaggerates the overall structure.

courtesy of Ron Arad and David Adjaye

The curved partitions creates points of compression and areas of relief allowing one to express numerous amounts of emotions. The partition walls are also constructed and textured out of concrete, the walls also form 22 paths that symbolize the number of countries during the holocaust that decimated the Jewish population. The placement of the partitions were constructed in order to allows visitors to experience the dynamic and the intense circulation, in a form of a journey that physically encompasses them.

courtesy of Ron Arad and David Adjaye

Anastasia Andreieva
Anastasia Andreieva

Anastasia Andreieva is an accomplished Architectural Projects Editor at Arch2O, bringing a unique blend of linguistic expertise and design enthusiasm to the team. Born and raised in Ukraine, she holds a Master’s degree in Languages from Taras Shevchenko National University of Kyiv. Her deep passion for architecture and visual storytelling led her to transition from translation and editorial roles into the world of design media. With a keen eye for conceptual clarity and narrative structure, Anastasia curates and presents global architectural projects with precision and flair. She is particularly drawn to parametric and digital design, cultural context, and emerging voices in architecture. When I’m not analyzing the latest architectural trends, you’ll probably find me searching for hidden gems in cityscapes or appreciating the beauty of well-crafted spaces. After all, great design—like great connections—can be found in the most unexpected places. Speaking of connections, because architecture isn’t the only thing that brings people together.

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