Yellow River National Museum Building and Park | gmp Architects

Yellow River National Museum Building and Park, The Yellow River is considered the cradle of Chinese civilization. The Yellow River National Museum, designed by architects von Gerkan, Marg and Partners (gmp) on the northern outskirts of Zhengzhou, explores not only the river’s cultural significance but also its role in shaping the landscape. Both the new museum building and the surrounding park trace the meandering course of the 5,000-kilometer-long river, forming a physical and conceptual bridge between nature and civilization, where architecture and landscape merge into one.

© Marcus Bredt

At the heart of the Yellow River National Cultural Park, the new museum rises from the rolling riverside landscape in a streamlined form, connecting the surrounding green spaces into a cohesive whole. As an extension of the public park, the Museum’s green roof leads up to a 40-meter-high observation deck offering views of the Yellow River to the north and the city of Zhengzhou to the south. Along winding rooftop paths lined with picnic areas, an open-air theater, and exhibition spaces, visitors can explore the river’s characteristic landscape environments with their native vegetation.

© Marcus Bredt

The polygonal structure gently rises and falls as it bridges a watercourse in the park. At the crossing point lies a sculptural atrium that forms the light-filled heart of the building. This central space can be dramatized with a cascading water curtain.

© Marcus Bredt

The museum’s curtain wall façade of natural stone, with its vertical rhythm and sculptural relief, has been built by using a modular system of prefabricated elements, the façade’s rhythmic texture is designed to echo the flow of the river. While public zones are punctuated by slender vertical windows that admit natural light, the exhibition spaces are shielded from direct light. Three large windows on the north side reference the Yellow River’s iconic cave dwellings and frame sweeping views of the landscape.

© Marcus Bredt

Beneath the building’s tallest point on the south side lies the main entrance, a glazed opening that appears to be carved directly from the massive volume. This cutout impresses with its cladding of subtly shimmering yellow-toned brass along the façade and ceiling, which continues on the inside: curved walls resembling eroded rock and softly reflective yellowish ceilings guide visitors into the museum.

Project Info
Architects: gmp Architects
Country: China, Zhengzhou
Area: 140300 m²
Year: 2025
Photographs: Marcus Bredt
Design: Meinhard von Gerkan, Stephan Schütz, Stephan Rewolle
Project Lead: Sui Jinying, Zhai Chengcheng
Design Team: Sebastian Beyer, Fan Yibing, Huang Han, Li Zhihui, Song Xiajun, Tang Zihong, Wang Jiaxin, Yang Li, Yuan Tao, Zhu Shiyou
Project Management China: Li Ling, Wang Shihui
Partner Practice China: China Academy of Building Research (CABR)
Landscape Architecture: gmp, Rehwaldt Landscape Planning & Design (Beijing)
Façade Consultants: SUP Beijing
Client: Henan Zhengzhou Development Culture and Tourism Investment

Madeline Brooks
Madeline Brooks

Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.

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