Amaryllis House | Tegnestuen LOKAL + Mangor & Nagel
Amaryllis House, In their winning proposal for the competition for the first of four towers in Grønttorvet (the former vegetable market outside Copenhagen), Tegnestuen LOKAL drew inspiration from the area’s industrial history to create a landmark with a green identity for the neighborhood and the future residents. When the Copenhagen Vegetable Market outgrew its location in the city center in the 1950’s, wholesale moved to the adjacent town of Valby. An industrial complex was erected from where fruits, vegetables and flowers were sold to restaurants and retailers throughout Copenhagen. Today, the city has grown to surround the market, complicating logistics around the initial function and causing the vegetable market to relocate once again. This calls for a new purpose for the area.
When the last wholesalers left the area, the architectural environment was in a state of disrepair. Tegnestuen LOKAL chose to expand the frame of reference to include the nearby industrial complexes of Carlsberg and F. L. Smidth, where the buildings have stood the test of time. A palette of red/brown bricks grounded the new residential area with Copenhagen’s history and a special emphasis was put on detailing the brickwork of the new buildings. The tower and building body integrate the history of the vegetable market with the buildings by creating a vernacular of clear-cut, well-detailed volumes of bricks and plants.
The result is an architectural statement that incorporates private gardens into the apartments of the tower, while, from a distance, signaling the history of the area and the industrial scale. To accommodate the best daylight conditions for the residents in the tower, large planes of glass shifts from one floor to the next in a checkered pattern, minimizing the shading effect of plants and balconies. The balconies and gardens are nestled into the structure to provide shelter from the strong winds that blow around the tower. The recessed areas give the tower a clear, legible and expressive relief from a distance that reduces the scale of the building as you approach it.
The project includes four separate sections of apartments that vary in height and placement. To emphasize the identity of the individual blocks, different façade-compositions co-exist within the same architectural framework. The same brick is used on all sections of the building, but detailing, mortar-type and color vary creating a clear distinction between the facades. The history of Grønttorvet is also present in the cooperative greenhouses that crown the building.
Here and in the adjacent edible park, residents can grow, eat and sell their own organic vegetables, creating a healthy sense of community in and around the building. The project was conceived in an innovative competition style where younger architectural practices in Copenhagen were invited to compete on large-scale projects alongside experienced firms to create a diverse field of contenders for the distinct and visible towers of the new residential area. Tegnestuen LOKAL won the competition and developed the concept in a close dialogue with the client FB Gruppen and collaborator Mangor & Nagel.
Project Info
Architects: Mangor & Nagel, Tegnestuen LOKAL
Country: Denmark, København
Area: 9300 m²
Year: 2018
Photographs: Kristian Lildholdt Hansen, Tom Jersø, Kirstine Mengel
Design Team: Morten Bang, Christopher Carlsen, Claus Jørgensen, Julie Hilfling, Linda Jensen
Clients: FB Gruppen
Collaborators: IngCon, Midtconsult
























Tags: 2018Amaryllis HouseDenmarkKirstine MengelKøbenhavnKristian Lildholdt HansenMangor & NagelTegnestuen LokalTom Jersø
Anastasia Andreieva is an accomplished Architectural Projects Editor at Arch2O, bringing a unique blend of linguistic expertise and design enthusiasm to the team. Born and raised in Ukraine, she holds a Master’s degree in Languages from Taras Shevchenko National University of Kyiv. Her deep passion for architecture and visual storytelling led her to transition from translation and editorial roles into the world of design media. With a keen eye for conceptual clarity and narrative structure, Anastasia curates and presents global architectural projects with precision and flair. She is particularly drawn to parametric and digital design, cultural context, and emerging voices in architecture. When I’m not analyzing the latest architectural trends, you’ll probably find me searching for hidden gems in cityscapes or appreciating the beauty of well-crafted spaces. After all, great design—like great connections—can be found in the most unexpected places. Speaking of connections, because architecture isn’t the only thing that brings people together.





