House in the Landscape
Russian studio Niko Architect has sunk a Teletubby-style house underneath an artificial hill punctuated by conical skylights that pop out of its planted roof.
Called House in the Landscape, the three-bedroom home near Moscow is hidden under lawn-covered hummocks.
The funky green roof is reminiscent of the green domed house was the house of the Teletubbies, a popular British children’s television show.
Towards the north it opens out with glazed walls that wrap around a courtyard overlooking a pond.
Contrasting the green landscape, the flowing walls of the home are finished by Niko Architect in smooth white render.
Winding paths and staircases on either side follow the contours of the hill to provide. they lead to a large, curved concrete front door.
House in the Landscape’s roughly U-shaped plan is organised according to the movement of the sun throughout the day.
Light enters through the skylights above the living areas in the morning, and from those above the bedrooms in the evening.
The large living, dining and kitchen area is finished with a cave-like roof that follows the shape of the hill above.
In the living area, a sunken circular seating area sits underneath a large skylight surrounding a ceiling-mounted log burner.
A curved wooden partition separates it from the dining area.
An open corridor leads to the western wing, where the master bedroom is given privacy by the deep window reveals and a screen of wooden slats. A sculptural white staircase leads up to the first floor.
This upper storey houses two additional bedroom and opens onto a terrace overlooking the pond to the north.
A section of wall curves around to create a roof to shelter the terrace.
The courtyard, arranged around a central sculpture, is finished with raised wooden path that leads to a wooden platform overlooking the pond. The interiors frame various pieces of artwork, furniture and sculptures which provide focal points for the open rooms.
Others homes hidden under green hills include Aires Mateus’ house dug into a hillside in Portugal, and Tonkin Liu’s Sun Rain Rooms, an extension covered by a curving green roof punctured by skylights.
The common guest space is divided into three zones: a kitchen-dining room, a soft group with a fireplace and a coffee area. As a “message” to classical symbolism in Japanese culture, the kitchen is visually separated from the main living area by a partition with a round hole, additionally creating a continuous dialogue between the zones. The soft group also has a round, almost closed shape and is the compositional core of the interior, symbolizing two balanced halves – yin and yang. Lighting is organized not only from a functional point of view, but is also the part of organic architecture, emphasizing the architectural features of the building.
Project info :
Architect in charge: Nikolaev Stanislav, Kulich D, Nikolaev S, Salov A, Oseckaya T, Kulich D
Interiors design: Nikolaev S, Klimov D
Project Year: 2019
Location: Moscow region, Russia
Area: 300 m²
Photography: Vasiliy Khurtin (exterior), Sergey Ananiev (interior)
































Tags: HouseKlimov DKulich DMoscowNiko ArchitectNikolaev SNikolaev StanislavOseckaya TRussiaSalov ASergey AnanievVasiliy Khurtin
Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.




