Kaohsiung Port Terminal | Reiser + Umemoto

For the Kaohsiung Port Terminal, RUR proposes a dynamic 3-dimensional urbanism that takes advantage of the site’s unique lateral positioning with respect to the city grid. Existing public pedestrian flows along the proposed elevated boardwalk can be amplified, rather than interrupted by creating a continuous elevated public esplanade along the waterfront. Cruise and ferry functions, meanwhile, are located just below the public level and are kept distinct to maintain secure areas for departing/arriving passengers.

photography by © Reiser + Umemoto.

The Main Hall splits up into three different partitions, each related to a different itinerary for travelling by ship, while the concourses are oriented parallel to the waterfront to maximize the interface between water and land. By vertically separating the functions of the general public, port business, and travelers along this waterfront edge we are able to keep the various operational uses highly efficient while at the same time allowing for the synergy of mixed functions for the general public. Vertical circulation is organized around thickened zones in the building’s skin which also house structure, utilities, and ventilation. The structure is a system of nested, long-span shells, which are composed of an underlying steel pipe space frame which is sandwiched by cladding panels to create a useable cavity space. Overall an experience of directed yet functionally separated flows will lend an aura of energy to the point terminal space.

photography by © Reiser + Umemoto.

An essential component to the vitality of the Port Terminal Project is the connection to a proposed elevated public space along the waters’ edge. The importance of this waterfront space which is distinct yet connected to the city of Kaohsiung is inestimable. The boardwalk links the new Pop Music Centre, the arts and shopping districts within a green necklace along the waterfront. The boardwalk will be a 24 hour space that fosters shopping, dining, and recreation. Moreover, connection to this vital public conduit will ensure the continuous economic viability of the port terminal, sustaining and amplifying the periodic maritime uses of the cruise terminal and ferries.

photography by © Reiser + Umemoto.

Project info :

Project Name: Kaohsiung Port Terminal (Kaohsiung Port and Cruise Service Center)
Architects: Reiser + Umemoto, RUR Architecture DPC
Location: Kaohsiung, Taiwan
Size: 36,883 sq.m
Collaborators: Fei & Cheng Associates, Ysrael A. Seinuk, PC, Arup
Design Architect: Reiser + Umemoto, RUR Architecture PC, New York, NY USA, Jesse Reiser + Nanako Umemoto, Principals
Architect of Record: Fei and Cheng and Associates, Taipei, Taiwan, ROC
Structural Engineer: Ysrael A. Seinuk, PC, New York, NY USA (PD)Supertek, Taipei, Taiwan, (DD)
Port Planning and Logistics: ARUP, Hong Kong
Facade Consultant: Meinhardt Facade Technology, Beijing, China
Lighting Consultant: Izumi Okayasu Lighting Design Office, Tokyo, Japan (PD), Fomolux, Taipei, Taiwan (DD)
MEP / Sustainability: ARUP, Hong Kong (PD), I.S.Leng, Taipei, Taiwan, ROC (HVAC – DD), Mininger, Taipei, Taiwan, ROC (Electrical, Plumbing – DD)
Local Landscape Architect: Environmental Arts Design, Taipei, Taiwan, ROC
Client: Port of Kaohsiung, Tai-wan International Ports Corporation, Ltd
Images courtesy of Reiser + Umemoto

 

Ibrahim Abdelhady
Ibrahim Abdelhady

Ibrahim Abdelhady is an architect, academic, and media entrepreneur with over two decades of experience in architecture and digital publishing. He is the Founder and CEO of Arch2O.com, a leading platform in architectural media, renowned for showcasing innovative projects, student work, and critical discourse in design. Holding dual PhDs in Architecture, Dr. Abdelhady combines academic rigor with industry insight, shaping both future architects and architectural thought. He actively teaches, conducts research, and contributes to the global architecture community through his writing, lectures, and media ventures. His work bridges the gap between practice and academia, pushing the boundaries of how architecture is communicated in the digital age.

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