3D Straw Sculptures, Francesca Pasqual born in Bologna on July, 31/07/1980, she degreded from the Fine Art Academy in Bologna. She lives and works between Bologna, Florence, Brescia and Paris. Italian artist Francesca Pasquali creates astounding three dimensional artworks made from thousands of plastic straws. Francesca’s complex forms are as much experiments as creations.
Speaking about her work she says, “Even if plastc is a new material, the tecnique of interlacing it in preconstituted nets is connected to the past. It makes it live again in the shape of sculpture, which spreads out towards the space around, creating various texturised effects. Observing nature itself, I transfer the essential being of it. The interlacing forms trasform the industrial material into soft and sensual shapes.”
The artist says, “The technique of interlacing [plastic] …makes it live again in the shape of sculpture, which spreads out towards the space around, creating various texturized effects. Observing nature itself, I transfer the essential being of it. The interlacing forms transform the industrial material into soft and sensual shapes.”








Madeline Brooks is a Projects Editor at Arch2O, where she has been shaping and refining architectural content since March 2024. With over a decade of experience in editorial work, she has curated, revised, and published an array of projects covering architecture, urbanism, and public space design. A graduate of the Harvard University Graduate School of Design, Madeline brings a strong academic foundation and a discerning editorial eye to each piece she oversees. Since joining Arch2O, she has played a pivotal role in shaping the platform’s editorial direction, with a focus on sustainability, social relevance, and cutting-edge design. Madeline excels at translating complex architectural ideas into clear, engaging stories that resonate with both industry professionals and general readers. She works closely with architects, designers, and global contributors to ensure every project is presented with clarity, depth, and compelling visual narrative. Her editorial leadership continues to elevate Arch2O’s role in global architectural dialogue.
