Laguna Basic Bathtub, aLEGNA’s passion towards wood allows them to understand its genuine properties and work in a way that maximizes their products potential. The design firm has many experience working with yachts that uses rich wood textures to emphasis most of its interiors. aLEGNA uses the combination of such wood and modern materials to create unique interior spaces that are distinct and welcoming.
Laguna Basic bathtubs brings about a neutral feel as the grain of the wood curves in the similar direction to the flow of water. The bathtub acts as a kind of natural vessel that isn’t separate from the water’s motion. The grain also poses the notion that it extents onward into infinity, creating an ongoing experience.
Its simple rectangular, monolithic shape of varying sizes allow its to easily fit anyones’ specific needs. The tone of its color allows you to feel its warming essence and does not separate one from the experience but instead merges them along with it.












Anastasia Andreieva is an accomplished Architectural Projects Editor at Arch2O, bringing a unique blend of linguistic expertise and design enthusiasm to the team. Born and raised in Ukraine, she holds a Master’s degree in Languages from Taras Shevchenko National University of Kyiv. Her deep passion for architecture and visual storytelling led her to transition from translation and editorial roles into the world of design media. With a keen eye for conceptual clarity and narrative structure, Anastasia curates and presents global architectural projects with precision and flair. She is particularly drawn to parametric and digital design, cultural context, and emerging voices in architecture. When I’m not analyzing the latest architectural trends, you’ll probably find me searching for hidden gems in cityscapes or appreciating the beauty of well-crafted spaces. After all, great design—like great connections—can be found in the most unexpected places. Speaking of connections, because architecture isn’t the only thing that brings people together.
