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	<description>Design &#38; Art Environment</description>
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		<title>Funicuilar Forms &#8211; Parametric modeling &amp; digital fabrication workshop</title>
		<link>http://www.arch2o.com/funicuilar-forms-parametric-modeling-digital-fabrication-workshop/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=funicuilar-forms-parametric-modeling-digital-fabrication-workshop</link>
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		<pubDate>Mon, 22 Apr 2013 02:49:12 +0000</pubDate>
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		<description><![CDATA[The catenary curve (also known as funicular) is the curve formed by an idealized hanging chain or cable when supported only from its endpoints, with gravity being the only force. The curve has a U-like shape, superficially similar in appearance to a parabola although mathematically the catenary curve is the graph of the hyperbolic cosine [...]]]></description>
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<p style="text-align: justify;">The catenary curve (also known as funicular) is the curve formed by an idealized hanging chain or cable when supported only from its endpoints, with gravity being the only force. The curve has a U-like shape, superficially similar in appearance to a parabola although mathematically the catenary curve is the graph of the hyperbolic cosine function. This type of curve appears in the design of certain types of arches and as a cross section of the catenoid—the shape assumed by a soap film bounded by two parallel circular rings.The surface of revolution of the catenary curve (catenoid) is a minimal surface,</p>
<p style="text-align: justify;">Funicular forms have been used in experiments by a wide range of designers such as Gaudi &amp; Otto as form finding physical experiments. The technological advancement in computation and manufacturing has taken the concept to a whole new level and brought it to the hands of plenty of designers. Now with the use of parametric models those forms can be generated through simulation, analyzed and prepared for Digital fabrication.</p>
<p style="text-align: justify;"><a href="http://www.arch2o.com/wp-content/uploads/2013/04/grasshopper2Workshop2.jpg" rel="prettyPhoto"><img class="aligncenter size-full wp-image-32059" alt="grasshopper2Workshop2" src="http://www.arch2o.com/wp-content/uploads/2013/04/grasshopper2Workshop2.jpg" width="414" height="399" /></a></p>
<p style="text-align: justify;"><a href="http://www.arch2o.com/wp-content/uploads/2013/04/grasshopper-workshop.jpg" rel="prettyPhoto"><br />
</a>The topic will be developed through the workshop days developing theoretical and technical aspects of parametric and generative approaches, with a particular focus on form finding strategies based on physical simulation in order to explore the potentials of these structures through digital prototyping.</p>
<p>&nbsp;</p>
<div title="Page 1">
<p><strong><strong>Duration:<br />
</strong></strong>9 days Workshop | 15th-26th July (except Saturday and Sunday)</p>
<p><strong>Workshop Software</strong><br />
Rhino3d &amp; Grasshopper plug-in<strong></strong></p>
<p><strong>Who should attend</strong><br />
Anyone is curious and interested</p>
<p><strong>Prerequisites:</strong><br />
Basic experience in any 3d modeling software.<br />
Participants should bring their own laptops.</p>
<p><strong>Number of Participants</strong><br />
20 participants</p>
<div title="Page 2">
<p><strong>What participants are expected to learn in this worksho</strong>p<br />
-Generative and parametric design strategies &amp; tool<br />
-Physical simulation and form finding theories<br />
-Digital fabrication (2d cutting &amp; assembly</p>
<p><strong>Registration:</strong><br />
350 USD</p>
<p><span style="color: #ff6600;"><strong>To register, please fill in the form below .. Dont see it ?! you may need to refresh your browser or click <span style="color: #333399;"><a href="https://docs.google.com/forms/d/1w85pphis8XF4x0FTWGJMwjhoNTTBsgHK631ZJc4SZQs/viewform" target="_blank"><span style="color: #333399;">Here</span></a></span></strong></span></p>
<p><iframe src="https://docs.google.com/forms/d/1w85pphis8XF4x0FTWGJMwjhoNTTBsgHK631ZJc4SZQs/viewform?embedded=true" height="600" width="500" frameborder="0" marginwidth="0" marginheight="0"></iframe></p>
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		<title>Arch2O Sweepstakes2013</title>
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		<pubDate>Sun, 31 Mar 2013 09:57:36 +0000</pubDate>
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		<description><![CDATA[Come Celebrate our 1st Birthday and You Could Win One of the Books Below ! * To participate in this Sweepstakes, please visit our facebook page * If you dont like our collection, scroll below for more details. Publication Date: April 15, 2013 &#124; ISBN-10: 1119965950 &#124; ISBN-13: 978-1119965954 &#124; Edition: 2 Once condemned by Modernism and compared to a ‘crime’ by Adolf [...]]]></description>
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<p><span style="font-size: large;"><strong><span style="color: #ffffff;">Come Celebrate our 1st Birthday and You Could Win One of the Books Below !</span></strong></span></p>
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<div><em>* If you dont like our collection, scroll below for more details.</em></div>
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<div>Publication Date: April 15, 2013 | ISBN-10: 1119965950 | ISBN-13: 978-1119965954 | Edition: 2</div>
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<p style="text-align: justify;">Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog &amp; de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. <a href="http://www.amazon.com/Ornament-Politics-Architecture-Subjectivity-Architectural/dp/1119965950/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1364720125&amp;sr=1-1&amp;keywords=AD+architecture+book" target="_blank">Read More</a></p>
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<p>Publication Date: April 8, 2013 | ISBN-10: 1119952867 | ISBN-13: 978-1119952862 | Edition: 1</p>
<p style="text-align: justify;">Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. <i>Computation Works: The Building of Algorithmic Thought</i> focuses on this emerging theme in design practice, showcasing built and soon-to-be-built projects and providing a state of the art in computational design. Computational design is considered to be first a design tool, and second a series of instruments that can be applied in the creation of architecture. It allows architects to incorporate performance analysis and knowledge about material, tectonics and the parameters of production machinery. <a href="http://www.amazon.com/Computation-Works-Building-Algorithmic-Architectural/dp/1119952867/ref=sr_1_6?s=books&amp;ie=UTF8&amp;qid=1364720294&amp;sr=1-6&amp;keywords=AD+architecture+book" target="_blank">Read More</a></p>
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<p style="text-align: justify;">Publication Date: April 29, 2013 | ISBN-10: 1118336984 | ISBN-13: 978-1118336984 | Edition: 1</p>
<p style="text-align: justify;"><i>The New Pastoralism</i> is an exploration of a romantic ‘green’ and technological architecture that heals the traditional cut between the city dweller and nature. New, gently engaging architectures are arising that employ biomimetics, hydroponics, cybernetic feedback systems, micro ecologies and traditional construction methods with natural materials and vertical landscapes. These are used to create small, subtle, alive spaces that help remind us of our humanity. These soft constructions fulfil a hard-wired human desire to be connected to and delighted by nature. <a href="http://www.amazon.com/New-Pastoralism-Landscape-Architecture-Architectural/dp/1118336984/ref=sr_1_12?s=books&amp;ie=UTF8&amp;qid=1364720667&amp;sr=1-12&amp;keywords=AD+architecture+book" target="_blank">Read More</a></p>
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<p style="text-align: center;"><img class="wp-image-30189 aligncenter" alt="AD 3 Computational Design" src="http://www.arch2o.com/wp-content/uploads/2013/03/AD-3-Computational-Design.png" width="232" height="336" /></p>
<p style="text-align: justify;">Publication Date: October 24, 2011 | ISBN-10: 0470665653 | ISBN-13: 978-0470665657 | Edition: 1</p>
<p style="text-align: justify;">The current transition from Computer Aided Design (CAD) to Computational Design in architecture represents a profound shift in design thinking and methods. Representation is being replaced by simulation, and the crafting of objects is moving towards the generation of integrated systems through designer-authored computational processes. While there is a particular history of such an approach in architecture, its relative newness requires the continued progression of novel modes of design thinking for the architect of the 21st century. This AD Reader establishes a foundation for such thinking.  <a href="http://www.amazon.com/Computational-Design-Thinking-Computation-Reader/dp/0470665653/ref=sr_1_15?s=books&amp;ie=UTF8&amp;qid=1364720294&amp;sr=1-15&amp;keywords=AD+architecture+book">Read More</a></p>
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<p style="text-align: justify;"><img class="aligncenter  wp-image-30195" alt="ISBN 0470746416" src="http://www.arch2o.com/wp-content/uploads/2013/03/ISBN-0470746416.png" width="231" height="298" /><br />
Publication Date: August 15, 2011 | ISBN-10: 0470746416 | ISBN-13: 978-0470746417 | Edition: 1</p>
<p style="text-align: justify;">With scripting, computer programming becomes integral to the digital design process. It provides unique opportunities for innovation, enabling the designer to customise the software around their own predilections and modes of working. It liberates the designer by automating many routine aspects and repetitive activities of the design process, freeing-up the designer to spend more time on design thinking. Software that is modified through scripting offers a range of speculations that are not possible using the software only as the manufacturers intended it to be used.</p>
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<p style="text-align: center;"><img class="aligncenter  wp-image-30196" alt="ISBN 0470973307" src="http://www.arch2o.com/wp-content/uploads/2013/03/ISBN-0470973307.png" width="219" height="287" /></p>
<p style="text-align: justify;">Publication Date: April 10, 2012 | ISBN-10: 0470973307 | ISBN-13: 978-0470973301 | Edition: 1</p>
<p style="text-align: justify;">The production of architecture, both intellectually and physically, is on the brink of a fundamental change. Computational design enables architects to integrate ever more multifaceted and complex design information, while the industrial logics of conventional building construction are eroding rapidly in a context of increasingly ubiquitous computer-controlled manufacturing and fabrication. A novel convergence of computation and materialisation is about to emerge, bringing the virtual process of design and the physical realisation of architecture much closer together, more so than ever before. <a href="http://www.amazon.com/Material-Computation-Integration-Morphogenetic-Architectural/dp/0470973307/ref=pd_sim_b_3" target="_blank">Read More</a></p>
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<p style="text-align: center;"><img class="aligncenter" alt="" src="http://ecx.images-amazon.com/images/I/51vCX8mc3UL.jpg" width="216" height="311" /></p>
<p style="text-align: left;">Publication Date: December 26, 2012 | ISBN-10: 1119951747 | ISBN-13: 978-1119951742 | Edition: 2</p>
<p style="text-align: justify;">Now almost 20 years old, the digital turn in architecture has already gone through several stages and phases. <i>Architectural Design</i> (<i>AD</i>) has captured them all – from folding to cyberspace, nonlinearity and hypersurfaces, from versioning to scripting, emergence, information modelling and parametricism. It has recorded and interpreted the spirit of the times with vivid documentary precision, fostering and often anticipating crucial architectural and theoretical developments. This anthology of <i>AD</i>’s most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the recent rise to pre-eminence of computer-based design and production. <a href="http://www.amazon.com/Digital-Turn-Architecture-1992-2010-Reader/dp/1119951747/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1364721960&amp;sr=1-2&amp;keywords=AD+architecture+books" target="_blank">Read More</a></p>
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<p><img class="aligncenter  wp-image-30197" alt="ISBN 1119972663" src="http://www.arch2o.com/wp-content/uploads/2013/03/ISBN-1119972663.png" width="220" height="287" /></p>
<div>Publication Date: October 29, 2012 | ISBN-10: 1119972663 | ISBN-13: 978-1119972662 | Edition: 1</div>
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<p style="text-align: justify;">The city has become an important new starting point in the quest for architecture. At a time of extreme urbanisation, unharnessed urban growth has led many architects to rethink the way that buildings are designed for the global metropolis. It is no longer practical or desirable to impose the standardised, idealized planning of the 20th century. Rather than viewing the city as a fixed entity, architects are now seeking direct inspiration from the existing urban environment and learning from its ever-changing state that resists predetermination. <a href="Publication%20Date:%20October%2029,%202012%20|%20ISBN-10:%201119972663%20|%20ISBN-13:%20978-1119972662%20|%20Edition:%201%20The%20city%20has%20become%20an%20important%20new%20starting%20point%20in%20the%20quest%20for%20architecture.%20At%20a%20time%20of%20extreme%20urbanisation,%20unharnessed%20urban%20growth%20has%20led%20many%20architects%20to%20rethink%20the%20way%20that%20buildings%20are%20designed%20for%20the%20global%20metropolis.%20It%20is%20no%20longer%20practical%20or%20desirable%20to%20impose%20the%20standardised,%20idealized%20planning%20of%20the%2020th%20century.%20Rather%20than%20viewing%20the%20city%20as%20a%20fixed%20entity,%20architects%20are%20now%20seeking%20direct%20inspiration%20from%20the%20existing%20urban%20environment%20and%20learning%20from%20its%20ever-changing%20state%20that%20resists%20predetermination." target="_blank">Read More</a></p>
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<p style="text-align: center;"><img class="aligncenter  wp-image-30198" alt="ISBN 0470057440" src="http://www.arch2o.com/wp-content/uploads/2013/03/ISBN-0470057440.png" width="222" height="287" /></p>
<p style="text-align: justify;">Publication Date: April 3, 2012 | ISBN-10: 0470057440 | ISBN-13: 978-0470057445 | Edition: 1</p>
<p style="text-align: justify;">Since the early eighties, many architects have used the term &#8220;narrative&#8221; to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. <i>Narrative Architecture</i> explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development. <a href="http://www.amazon.com/Narrative-Architecture-Architectural-Design-Primers/dp/0470057440/ref=sr_1_13?s=books&amp;ie=UTF8&amp;qid=1364723079&amp;sr=1-13&amp;keywords=AD+architecture+books+2012">Read More</a></p>
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<p style="text-align: center;"><img class="aligncenter  wp-image-30199" alt="ISBN 111997450X" src="http://www.arch2o.com/wp-content/uploads/2013/03/ISBN-111997450X.png" width="220" height="288" /></p>
<div>Publication Date: May 14, 2012 | ISBN-10: 111997450X | ISBN-13: 978-1119974505 | Edition: 1</div>
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<p style="text-align: justify;">Over the last few decades, Iranian architects have made a significant contribution to architectural design. This has, however, remained largely unrecognised internationally, as architects in Iran have had little exposure in publications abroad and the diaspora of well-known Iranian designers working in the West, such as Hariri &amp; Hariri and Nader Tehrani of NADAAA, are not necessarily associated with their cultural background. <a href="http://www.amazon.com/Iran-Present-Future-Architectural-Design/dp/111997450X/ref=sr_1_26?s=books&amp;ie=UTF8&amp;qid=1364723269&amp;sr=1-26&amp;keywords=AD+architecture+books+2012" target="_blank">Read More</a></p>
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<p><span style="color: #ff6600; font-size: medium;">You dont like our collection ?! Dont worry, we can offer you a book at your choice (Maximum value $40 + Shipping)</span></p>
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<p style="text-align: justify;">SWEEPSTAKES PERIOD<br />
The Sweepstakes begins at April 1st, 2013 Noon EST and ends at May 1st, 2013, noon PST. (“Sweepstakes Period”). All entries (submissions) must be received on or before the time stated during that submission period. Sponsor reserves the right to extend or shorten the contest at their sole discretion.</p>
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<p style="text-align: justify;">WINNER SELECTION<br />
All eligible entries received during the Submission Period will gathered into a database at the end of the Submission Period. A winner will be chosen at random.<br />
The winners will be announced on or about June 1st, 2013 on or about noon PST. Announcement and instructions for prize will be sent to the e-mail address supplied on the potential prize winner’s entry form. Each entrant is responsible for monitoring his/her e-mail account for prize notification and receipt or other communications related to this sweepstakes. If a potential prize winner cannot be reached by Administrator (or Sponsor) within fifteen (15) days, using the contact information provided at the time of entry, or if the prize is returned as undeliverable, that potential prize winner shall forfeit the prize. Upon the request of the Sponsor, the potential winner may be required to return an Affidavit of Eligibility, Release and Prize Acceptance Form and IRS W-9 form. If a potential winner fails to comply with these official rules, that potential winner will be disqualified. Prizes may not be awarded if an insufficient number of eligible entries are received.</p>
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<p style="text-align: justify;">Terms and conditions may apply. Incidental expenses and all other costs and expenses which are not specifically listed as part of a prize in these Official Rules and which may be associated with the award, acceptance, receipt and use of all or any portion of the awarded prize are solely the responsibility of the respective prize winner. ALL FEDERAL, STATE AND LOCAL TAXES ASSOCIATED WITH THE RECEIPT OR USE OF ANY PRIZE IS SOLELY THE RESPONSIBILITY OF THE WINNER.</p>
<p style="text-align: justify;">ADDITIONAL LIMITATIONS<br />
Prize is non-transferable. No substitution or cash equivalent of prizes is permitted. Sponsor and its respective parent, affiliate and subsidiary companies, agents, and representatives are not responsible for any typographical or other errors in the offer or administration of the Sweepstakes, including, but not limited to, errors in any printing or posting or these Official Rules, the selection and announcement of any winner, or the distribution of any prize. Any attempt to damage the content or operation of this Sweepstakes is unlawful and subject to possible legal action by Sponsor. Sponsor reserves the right to terminate, suspend or amend the Sweepstakes, without notice, and for any reason, including, without limitation, if Sponsor determines that the Sweepstakes cannot be conducted as planned or should a virus, bug, tampering or unauthorized intervention, technical failure or other cause beyond Sponsor’s control corrupt the administration, security, fairness, integrity or proper play of the Sweepstakes. In the event any tampering or unauthorized intervention may have occurred, Sponsor reserves the right to void suspect entries at issue. Sponsor and its respective parent, affiliate and subsidiary companies, agents, and representatives, and any telephone network or service providers, are not responsible for incorrect or inaccurate transcription of entry information, or for any human error, technical malfunction, lost or delayed data transmission, omission, interruption, deletion, line failure or malfunction of any telephone network, computer equipment or software, the inability to access any website or online service or any other error, human or otherwise.</p>
<p style="text-align: justify;">INDEMNIFICATION AND LIMITATION OF LIABILITY<br />
BY ENTERING THE SWEEPSTAKES, EACH ENTRANT AGREES TO INDEMNIFY, RELEASE AND HOLD HARMLESS SPONSOR AND ITS PARENT, AFFILIATE AND SUBSIDIARY COMPANIES, THE FACEBOOK PLATFORM, ADMINISTRATOR, ADVERTISING AND PROMOTIONAL AGENCIES, AND ALL THEIR RESPECTIVE OFFICERS, DIRECTORS, EMPLOYEES, REPRESENTATIVES AND AGENTS FROM ANY LIABILITY, DAMAGES, LOSSES OR INJURY RESULTING IN WHOLE OR IN PART, DIRECTLY OR INDIRECTLY, FROM THAT ENTRANT’S PARTICIPATION IN THE SWEEPSTAKES AND THE ACCEPTANCE, USE OR MISUSE OF ANY PRIZE THAT MAY BE WON. SPONSOR AND ITS PARENT, AFFILIATE AND SUBSIDIARY COMPANIES DO NOT MAKE ANY WARRANTIES, EXPRESS OR IMPLIED, AS TO THE CONDITION, FITNESS OR MERCHANTABILITY OF THE PRIZE. SPONSOR AND ITS PARENTS, SUBSIDIARIES, AFFILIATES, ADVERTISING AND PROMOTIONAL AGENCIES, AND ALL THEIR RESPECTIVE OFFICERS, DIRECTORS, EMPLOYEES, REPRESENTATIVES AND AGENTS DISCLAIM ANY LIABILITY FOR DAMAGE TO ANY COMPUTER SYSTEM RESULTING FROM ACCESS TO OR THE DOWNLOAD OF INFORMATION OR MATERIALS CONNECTED WITH THE SWEEPSTAKES.</p>
<p style="text-align: justify;">PUBLICITY<br />
By participating, each entrant grants Sponsor permission to use his/her name, likeness or comments for publicity purposes without payment of additional consideration, except where prohibited by law.</p>
<p style="text-align: justify;">SWEEPSTAKES SPONSORS<br />
This sweepstakes is sponsored by:<br />
Arch2O.com</p>
<p style="text-align: justify;">Any questions regarding this Sweepstakes should be directed to Tab Design Contest at info@arch2o.com</p>
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